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A Closer Look At The Art Of Fugue: Contrapunctus I
My goal in this series is not just an analysis using my method to uncover the sequences and patterns in Bach’s fugal masterpiece, but it...
rbedwell3
Aug 3, 20247 min read
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A Closer Look At Lute Suite II BWV997: Fugue
Well, here we are again, and another fugue by Bach. This time it is the second movement from the second lute suite. It is quite a lengthy...
rbedwell3
Aug 3, 20247 min read
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A Closer Look At Bach’s Lute Suite II BWV 997 Part I: Preludio
This is the first in this series where I will be putting the second lute suite under the microscope in order to learn the patterns and...
rbedwell3
Aug 3, 20247 min read
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A Closer Look At Stanley Myers’ Cavatina.
Popular at weddings and funerals alike, this perennial favourite has some interesting changes within its meagre 63 bars of music. Its not...
rbedwell3
Aug 3, 20244 min read
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Enharmonic Equivalent scales: An Introduction
Enharmonic equivalent scales are not to be confused with equivalent scales. An equivalent scale is a scale or mode that is built upon the...
rbedwell3
Aug 3, 20244 min read
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Dorian Alternatives: Part Two (Redux)
In part one I covered good modal substitutes for the Dorian mode. Just in case some of you misunderstand, I do not mean the Dorian...
rbedwell3
Aug 3, 20243 min read
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Cutting Heads at the Crossroads: A Metaphor For Plagiarism?
I don’t know about you, but I realised something profound years ago when watching the movie Crossroads with Ralph Macchio. The premise is...
rbedwell3
Aug 3, 20242 min read
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New group on capos
Just in case some of you are unaware, I created a group specifically on the subject of music using capos and bridges. Its public, and I...
rbedwell3
Jul 12, 20241 min read
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Is There A Text Book?
I have recently been asked this a few times either in the comments or by personal messages so I thought I would clarify and help everyone...
rbedwell3
Jul 12, 20242 min read
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Introducing The Byzantine Scale.
The Byzantine scale is better known as the Double Harmonic mode, mode V of Hungarian minor. Its formula is 1 b2 3 4 5 b6 7 and in the A...
rbedwell3
Jul 12, 20242 min read
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Dorian Alternatives : Part I (Redux)
As many of you know, the Dorian mode is played over a minor chord, or the relative bass note and contains the fundamental characteristic...
rbedwell3
Jul 12, 20242 min read
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Modulations That Have An Emotional Effect Part II: Bach’s Chaconne
The first post in this series looked at the point in the music of Bach’s double violin concerto BWV1043 where a lump in the throat...
rbedwell3
Jul 12, 20244 min read
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A Closer Look At Brouwer’s Danza Caracteristica
Before I head off back into the fathomless depths of Takemitsu’s All In Twilight, I thought I would just post an analysis on this short...
rbedwell3
Jul 12, 20244 min read
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A Tutorial On Using The Modal Method of Music (M3) Part I: Analysis
I am setting forth how to use the Modal Method for composition, improvisation and analysis and will start with the basics first, which is...
rbedwell3
Jul 12, 20248 min read
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Guitar sleuths out there!
NB: I am reposting this as it seems to have disappeared from the group. I have come across a piece of music for classical guitar by Peter...
rbedwell3
Jul 12, 20241 min read
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Peter Carr's The Moth Part II: Help Required with a difficult score
Hi everyone, I am working on uploading a score to musescore so I can share the music with everyone and also be the first to play it as it...
rbedwell3
Jul 12, 20241 min read
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A Closer Look at Bach’s Fugue BWV 1000
This fugue is standard repertoire for guitarists. A closer look shows that Bach uses a series of sequences for his sound in this piece,...
rbedwell3
Jul 12, 20245 min read
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A New Group.
For those of you that are into playing with capos, spider capos and passarelle bridges you will be pleased to hear that I have just...
rbedwell3
Jul 12, 20241 min read
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The Modal World of Takemitsu’s All In Twilight: Part II
Continuing this series I am now looking at the second of four movements following the first movement covered in the previous post. Much...
rbedwell3
Jul 12, 20243 min read
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A Messiaenic Complex: The Modes of Messiaen Part II
The whole tone scale has a symmetrical pattern of notes separated by a tone, this is called Mode I of limited transposition by Messiaen,...
rbedwell3
Jul 12, 20243 min read
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