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rbedwell3
Mar 31, 20242 min read
Taking the Melodic plunge
I know many of you are familiar with the Melodic minor scale, henceforth referred to as Melodic, but for those that aren't yet, this is...
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rbedwell3
Mar 31, 20241 min read
Using the Neapolitan Major and Neapolitan Major b5 scales when improvising
The two scales mentioned are great to use when improvising in a Major or minor key. For those of you who have the Modal Method book, the...
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rbedwell3
Mar 31, 20242 min read
Scales that change in the second octave.
I came across a reference in a blog I was reading about a musician that was using scales that didn't resolve until the second or even...
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rbedwell3
Mar 31, 20241 min read
Mode VII: Altered v Locrian
Recently, someone commented on a post I made, saying that my mention of a b4 was the first they had ever heard of such a thing. That got...
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rbedwell3
Mar 31, 20242 min read
Everything you wanted to know about the Augmented triad part III: Mixing it up
Warning: This post is not for beginners. Reading this post without adequate theoretical preparation may induce nausea, panic attacks or...
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rbedwell3
Mar 30, 20242 min read
Everything you wanted to know about the augmented chord but were afraid to ask: Part II - Forget the triad
As mentioned towards the end of my previous post on the augmented chord, the notes that fall outside of the augmented triad are the ones...
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rbedwell3
Mar 30, 20242 min read
Everything you wanted to know about the Augmented chord but were afraid to ask: Part I
As I was specifically asked to write a post on the use of augmented chords by a perplexed music theorist I though I would start with the...
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rbedwell3
Mar 30, 20242 min read
Analysis of the Sarabande from Bach's Lute Suite III BWV 995
I have been asked for an analysis of this movement from the Lute Suite (transcribed from a cello suite) as it has an enigmatic feel to...
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rbedwell3
Mar 30, 20241 min read
Return of the Neapolitan minor III: Followed by the Persian scale
After the Neapolitan minor is introduced into a Major key, it is followed by the Persian scale (1 b2 3 4 b5 b6 7) which is a really...
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rbedwell3
Mar 30, 20241 min read
Return of the Neapolitan minor II
As mentioned in the first post in this series, the most common use for Neapolitan minor, at least in Bach's WTC I, follows the Hungarian...
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rbedwell3
Mar 30, 20242 min read
Return of the Neapolitan minor I: Bach's use of N. minor and why we should use it too.
The Neapolitan minor is really useful but sadly neglected. In the book The Modal Method, I explain why it should be studied after Major...
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rbedwell3
Mar 30, 20241 min read
Introducing the Harmonic Major III: before Harmonic minor
Following on from the last post, the focus this time is on introducing the Harmonic Major into a Major key before the change to Harmonic...
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rbedwell3
Mar 30, 20241 min read
Introducing the Harmonic Major II: After Harmonic minor
The Harmonic pair of scales are often combined in two ways: minor then Major or vice versa. The focus here is on the first. It is a very...
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rbedwell3
Mar 30, 20241 min read
Funky modes over funky chords II: Dom 7b5
There are 38 modes with seven notes that work well over the Dominant 7b5 chord (1 3 b5 b7) and with the addition of the Whole tone and...
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rbedwell3
Mar 30, 20245 min read
Score analysis: a quick note
Some of you may have noticed that I post on multiple groups depending on the relevance of the content. However, I do post exclusive...
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rbedwell3
Mar 30, 20241 min read
Funky modes over funky chords: I
This is the first in a series of posts that takes a look at more unusual modes to play over static chords, that give a really funky...
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rbedwell3
Mar 30, 20242 min read
Introducing the Harmonic Major scale I: Following the Melodic.
Now when I say introducing, I am referring to the art of placing it into a piece of music. The Harmonic Major scale is a slightly more...
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rbedwell3
Mar 30, 20241 min read
Melodic Truths V: Combining Melodic with Harmonic minor.
Hopefully you remember that rule 2 states that the Melodic can change Major to the parallel minor and rule 3 modulates to the minor key...
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rbedwell3
Mar 30, 20241 min read
Melodic truths IV: mixing rules II and III
Now that we have seen that the Melodic scale can lead to the parallel minor and the minor key on degree II of the Major scale, we can...
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rbedwell3
Mar 30, 20241 min read
The Ultimate Scale Workout
Those of you who have read M3 (Modal Method of Music) are familiar with The U.S.W. For those of you that haven't I shall lay out the...
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